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MAY 6, 2002 INTERNATIONAL ARENA, CARDIFF, WALES 1. HUMMING BIRD @ 2. THE TIMES THEY ARE A-CHANGIN' @ 3. IT'S ALRIGHT, MA (I'M ONLY BLEEDING) @ 4. IT'S ALL OVER NOW, BABY BLUE @ 5. SOLID ROCK 6. POSITIVELY 4TH STREET 7. LONESOME DAY BLUES 8. STUCK INSIDE OF MOBILE WITH THE MEMPHIS BLUES AGAIN 9. MASTERS OF WAR @ 10. VISIONS OF JOHANNA @ 11. TANGLED UP IN BLUE @ 12. MOONLIGHT 13. SUMMER DAYS 14. THE WICKED MESSENGER 15. RAINY DAY WOMEN #12 & 35 16. THINGS HAVE CHANGED 17. LIKE A ROLLING STONE 18. KNOCKIN' ON HEAVEN'S DOOR @ 19. HONEST WITH ME 20. BLOWIN' IN THE WIND @ 21. ALL ALONG THE WATCHTOWER Since there was one day off (the only one during this British marathon), I had no deadline yesterday to type this review. But something to review I do have indeed, and I am glad I had some more time to do it. As I looked again at the Cardiff setlist on the morning after, I had an interesting thought. If I would have been at home and would have read the setlist online, I might have said: "Wow, Solid Rock, oh, Visions and Moonlight, nice, but otherwise just more of the same." But I was not at home, I was in Cardiff, underneath those left speakers, some 30 feet away from the greatest living artist performing his 24th concert of his finest European tour since 1981. And, being fully aware that every concert experience is subjective, I have to say, that this show in Cardiff was many, many times better than the setlist might suggest. It is true, every song had been played at least four times during this tour ("Baby Blue", "Stuck" and "Things" appearing for the 5th time, "4th Street" for the 6th time, "Visions" and "Knocking" for the 7th time, etc. etc.), so there were no real surprises concerning the song selection, the biggest surprise being song number two, which had rested for ten shows. But I am getting ahead of myself. On the way from Bournemouth to Cardiff my wife and I had been listening to "Cardiff 23/09/00" (which we also had attended), and I wondered if Bob would top this show, which had been one of the finest of the ten fine shows we had seen that September. For my money he did top it, and it would have been worth to cross the Irish see just for this one concert, which seemed to have one main objective; to demonstrate to every one present the simple fact that Bob Dylan's voice is the greatest instrument in music history. Period !!! Personal highlights always stick to memory best, so I will stick to those as well. "Humming Bird" was my first one, a lovely song it is, with brilliant harmonies. I really love Tony's bass playing on all the openers. "Times", like I said, had not been played for ten shows, so it was surprising to hear these opening chords, instead of another round of "Guess that tune". But what followed was quite astonishing. For one Bob Dylan had memorized all the lyrics of all the five verses (gather/ writers/ senators/ mothers/ line). There were no (I repeat: NO) half forgotten lines !!! What was more, the phrasing was very strong and Bob was really putting something special into this old chestnut. My 7th "Baby Blue" started with a nice harp solo. Minutes later, as Bob had just finished the last "strike another match" line, I said to my wife: "The next words we will hear from him might be 'I'm hanging on' ". They were indeed the next words, and we were quite joyful about that. I had seen "SOLID ROCK" before, on my first Bob date in November 1981, but to see him sing this bold confession now, on my 35th Bob date, was sure something very special to me. As I am hanging on to the same Solid Rock, Bob was singing about 13 times so far since coming to Europe last month, I do relate to these lyrics. And I believe Bob. He won't let go no more the one, who has been chastised, hated, and rejected for him. This Jesus, Bob Dylan keeps singing about, remains for him a wonderful Savior to know. My 3rd "4th Street" was my first since 1994, and my 2nd "L.D.B." was quite intense. Bob's singing was brilliant throughout, and his vocal delivery alone of my 3rd "Visions of Johanna" would have been worth the price of admission. Amazing stuff. The next song I had seen 26 times before, so I had not planned on writing down the following three words: "Tangled was outstanding". Perfectly sandwiched between this acoustic rocker and "Summer Days" (the only repetition of the main set from the previous show) was a simply beautiful "Moonlight", which was the second song of the night I had never seen live (making it 13 songs in 3 shows, 8 of them from L&T). After the always hugely enjoyable "Summer Days" (did I ever mentioned those guitars?) it was clear to me once more that Bob was intent to deliver a top class show, as he set aside his harp to end "Wicked Messenger" before the song even started. "Things Have Changed" sure is a different experience when not appearing almost every night as it did in September 2000. The "purple lighting" song, "Knocking", had again those nice strong harmonies, with Bob singing this way, and Larry and Charlie singing that way. Very interesting to watch them do this. The same they did also with "Blowing", which was sung by Bob in a very beautiful soft voice during the verses, and more intense during the chorus. It is easy to tell by my ramblings that Dylan's vocal performance in Cardiff impressed me big time, and indeed I did feel great awe and respect for this man's artistic output these days, as I was standing for the second time in this Welsh venue. So don't be fooled by the setlist (;-), which nevertheless had seventeen (!!!) changes to Bournemouth, featuring eleven songs played neither in Bournemouth nor Brighton. We did see 63 songs in 3 shows, and 47 different ones; and I do believe Bob Dylan will pull out some more real surprises, as he hits those large British arenas. But no matter what the last five setlists might look like, the artistic performances of this finest band on this planet will be great and worth seeing, no matter what the critics say. Whoever does not like this art created on stage, does not have to go again. I do like it, so I'm ready to go, less than three hours before showtime in Newcastle. |
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